The power of branding

Deciding over the name of our company has been, like in most cases, neither simple nor easy: in a few words, we felt the necessity to characterize ourselves as a system capable to develop cutting-edge industrial projects, where the engineering activity could be expressed as a Global System Engineering for the international markets.

We ended up with European Industrial Engineering which seemed to best describe both the historical period we lived (late 80ies) and our own essence: European, was to assert our support to a United Europe and to pay a tribute to the restless winds of freedom we all lived; Industrial expressed our own technological and industrial knowledge, as well as our credit to the on-going IT revolution, while Engineering was our essence, our peculiar approach and contribution to the world.

We knew that we were somehow defying marketing rules and that the name would immediately be criticized: too long and complex, and the acronym EIE was not fluent to an English reading.

Also, the definition of the brand resulted quite an articulated activity: we looked for a symbol that could evoke intense emotions and that could communicate more than what man could express directly.

We were looking for an universal and timeless brand that would at the same time be the vehicle of a message and the message itself : a brand and a concept, and vice versa, all at the same time.

We thus chose the letters of the acronym, so to give direct correspondence to the company’s name, but above all to signify its essence. We focused on the centrality of the “Industrial service” given.
Thus the two E “embraced” the I

Since working proposals were quickly moving forward, we decided for a homemade solution to temporarily represent our company. At the same time, we worked with a graphic designer at the new brand. Once ready. It got contrasting opinions, but certainly it stood out for its peculiar visibility.

It had a spine: by de-structuring the two Es into two wings, the idea of the embrace was emphasized, standing as a real support to the I, that represented the capacity of being a vehicle of industry processes.
We studied colors a lot, we started with those that were in vogue at the time: orange, violet and yellow. But then we wanted to go further…

The Bhopal disaster, which occurred in India in 1984; the huge nuclear power plant accident in Černobyl, Ukraine in 1986 and the accident of the Exxon-Valdez oil spill in Alaska, in 1989, vividly lingered in our minds.

So, for the following graphics, we chose the colors of nature: a sky blue and an emerald green, to tell our sensitivity for the environment and for nature, while the technology innovation idea was to be represented by a classic grey color.

We immediately liked the two de-structured Es: segments of wings, accents and apostrophes. We also had to represent the four divisions of the company, so we associated a different color of the logo to each one: grey for the Structure Division, light blue for the Mechanics one and green for the Plants one.
But our goal was also to get soon to the constitution of a Special Products division and for that, we chose red.

In 1994, we produced an institutional brochure to celebrate our company’s fifth year and we prepared a new version of the brand, a symbol which had a strong local rooting: el leon in moeca of the Serenissima Republic of Venice.

The year 1999 was marked by another major goal: the entrance of EIE in Radio Astronomy, with the award of the first antenna prototype for the ALMA – Atacama Large Millimeter Array - Project. We felt the need to renovate, both in terms of the organizational structure, and of presence on the markets, with a brand-new image.

We launched a global project: a new better-structured internal organization and a new image, capable to represent the industrial trail developed so far and to represent our future expectations.

The elements characterizing the planet Earth became the new theme of EIE identity system. As if we were there, in the outer space, where our telescopes, ultimate essence of our projects, observe and from where we get the real colours of our planet.
The graphic redefinition of our brand identity followed different phases:

The Brand Restyling: the sign and the font of the logo were reviewed to communicate modernity and innovation, through a coherent and neat use of its graphic identity elements, in continuity with the image of the past. As the Earth is not a perfect sphere, but an ellipse flattened at the poles, we decided for a logo presenting similar flattening and inclination: at the moment, the tilt of Earth axe is between 23º and 27’, which is the same tilt represented on the logo.

EIE new logo: It is red like the Special Products Division which recalls the idea of a certain completeness: from the conceptual idea of a project to its development.

For the three main entities we decided to maintain the colours of the Earth, as they are visible from the Space:

Violet: for EIE Management & Contracting.
Grey: for EIE Engineering & Design.
Green: for EIE Production & Services.

This is our logo today. The addition of the word “GROUP" identifies the prefix of the logotypes of all the Companies, to graphically assert the new Corporate asset.

This is our logo today and it represents our evolution, still remaining loyal to the key values of efficiency, innovation, research, culture and partnership, we have believed in since the beginning of our story. It distinguishes us as a company that has been able to tune in to respond to the needs, sometimes to the dreams, of ambitious scientists, opening to the continuous market developments. Today EIE GROUP is a dynamic integrated company, which keeps evolving, and which is capable of networking with all its different stakeholders.

Note: EIE GROUP logos cannot be used without permission.
If you have any questions regarding logo use, please contact us at: info@eie.it

  • There seems to be no real English translation for the term ‘moeca’, which in the Venetian dialect, indicates the crab in a particular period of its life, when it abandons the old shell, but it still hasn’t regenerated the new one. During this phase, crabs are particularly soft and tender (‘moeca’ means soft), and in fact they are a typical delicious Venetian specialty.
    But the Venetian “leon in moeca” has also a symbolic meaning. It seems that "Leon in moeca" comes from the frontal position the lion is usually represented, with the bible in his paws. We call it moeca, because it recalls the behavior of the adult crab: when the haunt doesn’t end well, it attacks the younger crabs which are weaker and softer due to the molt. When it happens that the prey is not sufficiently soft (moeca), it holds it between the abdominal appendix and the claws, till the time comes to eat it up. It’s quite plausible therefore, that the “leon in moeca” derives from this position.